The Artist Statement

Dominika Burdyl is a porcelain painter based in Gdańsk, Poland.

Since 2018, she has specialised in hand-painting fine porcelain using overglaze pigments applied with a technical nib. In her practice, she resurrects a near-forgotten technique rooted in traditional folk decoration and transforms it through the meticulous precision of tattoo-inspired dotwork.

In Dominika's hands, this demanding method converges with a distinctly atmospheric sensibility. Her visual language draws from natural history, maritime mythology, and anatomical illustration, translated into a restrained, high-contrast vocabulary of line and dot. The result is an aesthetic that is, in the truest sense, singular.

Her process is deliberately unhurried. Each piece requires hours of focused, manual work spent drawing dot by dot and line by line onto porcelain surfaces selected for their whiteness, density, and capacity to receive pigment. Nothing is rushed. Nothing is reproduced by machine. The finished work is kiln-fired at temperatures exceeding 800°C, permanently bonding the image to the glaze and rendering it both archival and functional. What remains is an object of quiet permanence that carries the irreplaceable trace of the human hand.

There is no excess here or ornamentation for its own sake. There is only craft, uncompromising intention, and time made visible.

Dominika's work has found collectors across the world, from private homes to institutional spaces. Her collaboration with the National Museum in Wrocław, where her pieces were made available for acquisition, reflects a recognition that reaches beyond the decorative arts. It places her porcelain within a cultural context that few contemporary ceramic artists achieve.

Her current practice moves between maritime iconography and narrative anatomical works, created for private and institutional collections. Each piece is entirely food-safe, dishwasher-resistant, and signed by the artist. Dominika works exclusively on commission and in limited editions.